| q&a w/cool chick victoria clarke by miss avra
I first met Victoria at a spoken word gig. Soon after, I went to her for angel channeling. Shes a fantastic writer and channeler, a witty woman, an adventurous spirit and a true friend. Shes also an internationally syndicated music journalist, so it was fun turning the tables on her. What, in your mind, makes a cool girl? Somebody who makes me laugh, cooks for me, buys me nice presents, introduces me to cute guys regularly, maybe is really good at massage or reiki. What else? Preferably has a really nice house with a pool somewhere sunny I can come and stay! Are you sure youre not describing a secret lesbian sugar momma fantasy? Again, Patti Smith, for pure energy and passionate self-expression. Chrissie Hynde, cos shes a real rocker and shes like a man, really, I suppose shes got balls, but at the same time shes also very soft. Shes got the combination right. Shes somebody youd aspire to be like. Janis Joplin, because of her amazing, amazing voice and her amazing capacity to communicate. Joni Mitchell because of her clever lyrics and clever tunes. Courtney Love, as well, because of her shamelessness [laughs]. Sinead is my favorite girl singer because she makes me cry, I suppose, and shes probably the only one who does. What do you look for in a gig? Energy, passion, and, I suppose, integrity. Honesty. And great tunes, great songs. Some of the best-ever gigs Ive been to include Nirvana: every single one of their gigs, as many as I went to, they were all really good. Otherwise, Jerry Lee Lewis, Ray Charles and Shane. Basically, Shane and Kurt Cobain are the two best performers Ive ever seen. Its their complete and utter honesty and abandon, combined with genius songwriting. Ok, the lure and allure of the male rock star. Is he usually radiating health and confidence or pain and bravado? For me, its neither of those things. No, its mystery, a kind of wickedness
mischief, Id say, mischief and glamour. Its not really confidence as much as charisma. Youve had songs recorded about you, which, for a lot of women, would be a dream come true. What are the pros and cons of writing a song yourself, as opposed to having one written about you? Well, there isnt really any comparison, is there? I suppose if somebody else writes a song about you, its flattering. But then, not necessarily, cos Nick Cave wrote a song about me called Little Empty Boat which is deeply unflattering and Shane wrote some quite nasty songs about me, like That Womans Got Me Drinking, and he wrote another one about me and Van Morrison, which was quite nasty. I dont think hes actually recorded that one yet. I think if I was writing songs Id probably be quite tempted to use them as a means of revenge on people, cos if you can write clever lyrics you can get revenge on people! [laughs] Have you ever put any effort into pursuing a musical career? Mmm
Well, Ive had guitar lessons from Donovan and from Shane and they were both good teachers. Ive written one really good song. It doesnt have music yet, but its got good words. Its called The Entry of Christ into Jerusalem. Ive taken some singing lessons, and I sang onstage with Shane at the Forum. I sang Fairytale of New York and that was one of the most exciting experiences of my life. I had to drink quite a lot to get myself onto the stage, but it was very exciting. It was really exciting, you cant describe it. Its impossible to describe. Cos the audiences at Pogues or Popes gigs are usually 99% male, young males, so when you stand on the stage all you see is young guys clapping you! [laughs] It must be like being a stripper, only better, do you know what I mean? Really fun! Do you want to perform more? Yeah, by the time Im 40 I aim to be a rock star
among other things! Can you think of anyone who has started late? No, but who cares! I could be the first
to start at 40. Ill wait til 40 to start! What are three of your favourite rock-n-roll memories? Dancing with Bruce Springsteen, drinking brandy with Jerry Lee Lewis, and dancing onstage with Van Morrison while Bob Dylan was singing. Cool! Keeping it real, what have you learned from your female friends? Hmm. The value of communicating with other people just your day-to-day stuff, just the stuff that happens and how you feel about it. Friendship, I guess. What would you say to encourage women starting out in the music business? Well, it is intensely male-dominated, thats definitely true. And they are sexist, thats without a doubt. They really are. And so, I think its important not to buy into the stuff about having to please them sexually by being pretty and stuff like that. I think its far more important to find the passion in it, the excitement for yourself, not because of how much youll impress guys or what youll look like, although thats obviously a part of it. But find the thing in music that will sustain you even if youre alone for the rest of the life and you never see another human being. Get in touch with the creativity of it, the adventure, the channeling aspect of it, where you really dont know what youre going to do. The experimenting. Get into that part of it and then you wont be disappointed, because youll always have it. You can treasure it, itll always be there with you. Because if you get into it completely because you want to show off and make loads of money, then you could easily be disappointed. I think its really important to get into it for the right reasons. Im not saying you cant have both, but I think the people I know who are really, really good, and who have longevity, theyre people who really are not that bothered about the fame at all. They really find their deepest joy and passion from the music itself. So theyre not that bothered about whether they play Wembley Stadium or whether they play a pub, and I think thats what really stands out for me about my favorite performers. What mistakes have you seen being made by women starting out in the music business? I suppose, trying to be too cunning, trying to be too calculating, basically, and trying to fit themselves into what they think the music business or the public wants, rather than being themselves. Thinking theyve got to look a certain way, dress a certain way, be a certain age, or sing a certain type of song in order to succeed. As you can see from people like Patti Smith or Sinead or even Courtney, you really dont have to do that. I think audiences can always tell when youre trying to fool them and sometimes they buy it, because they know youre doing it and you know youre doing it and its all agreed upon, but that tends to happen more in the world of pop bands, all-girl bands or boy bands. Its all very cleverly done and we know it is and nobodys pretending it isnt a marketing mans fantasy. Its not necessarily a bad idea if thats what you want to do, if you want to be that kind of an act. Like the Spice Girlsit was well-thought-out, it was a marketing thing, it was obviously cynical. Thats ok if thats what you want to be; I just think theres probably less room for real genuine connection with your audience and real genuine self-expression, which is more what Id be interested in, for me personally. When you read about female singers feuding with each other, what do you think about that? I think theyre stupid! I think theyre absolutely childish and theres absolutely nothing to be gained from it at all. Do you think that theres not that many women out there doing it, so they should support each other? I think everybody should be encouraging each other, not just women, but men and women. Because even if youre not encouraging somebody to become enormously famous and successful at it, I think if you can encourage somebody just to do it, it will be beneficial to them always, just to express themselves through music. I think its really important to encourage people to sing and play regardless of how good they are. Just get everyone to do it, because its a very precious thing! So its just all bollocks if youre going to be competitive and put other people down. I think, just do the opposite. Get more people playing and singing. Get everyone doing it. |